“Fur Traders Descending the Missouri”
By George Caleb Bingham
1845, Metropolitan Museum of Art, NYC
In 1845 Bingham began the series of narrative scenes of frontier life upon which his reputation rests. “Fur Traders Descending the Missouri”, the earliest of his masterworks, is still considered his best and most iconic painting. It is also the simplest of his multifigure scenes: it depicts a grizzled pipe-smoking fur trader, a smiling youth, and a tethered baby bear, all posed in a long thin dugout canoe. Out of the wilderness they appear, gliding silently on the placid water, gazing at you and you at them.
“The Jolly Flatboatmen”
1846, The Manoogian Collection, Taylor, Michigan
Riverboatmen, considered a rough and carefree bunch, were a more familiar sight than fur traders. In his first depiction of them—“The Jolly Flatboatmen” (1846)—Bingham showed the hard working boatmen enjoying themselves as their day began on the river. With their celebration invitingly filling most of the picture plane, the spectator glides along behind them enjoying the moment. Its vicarious joy is irresistible; its classically organized and finely crafted composition becomes for the viewer a clear and memorable image.
N Posted by Rain at 3/30/2007 09:23:00 AM
Labels: misc.
N Posted by Rain at 3/28/2007 11:12:00 AM
“ Jayne Mansfield is making a career of being a girl. ”
—Walter Winchell, reporter
“ I don't know why you people [the press] like to compare me to Marilyn or that girl, what's her name, Kim Novak. Cleavage, of course, helped me a lot to get where I am. I don't know how they got there. ”
—Jayne Mansfield
“ I need to have a man around. I have to sleep with a man every night. I really do. ”
—Jayne Mansfield
"A forty-one inch bust and a lot of perseverance will get you more than a cup of coffee—a lot more."
~From Here They Are Jayne Mansfield by Raymond Strait
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Gosh I had a wonderful weekend! I'll post more about it later this week. How was your weekend?
Labels: Monday's Glamour
N Posted by Rain at 3/26/2007 09:36:00 AM